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, by Chuck Klosterman
PDF Download , by Chuck Klosterman
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Product details
File Size: 1331 KB
Print Length: 457 pages
Publisher: Penguin Books; Reprint edition (May 16, 2017)
Publication Date: May 16, 2017
Sold by: Penguin Group (USA) LLC
Language: English
ASIN: B01N5C93V9
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If you devoured a lot of pop culture over the last decade, you might wonder what Chuck Klosterman's latest volume, Chuck Klosterman X: A Highly Specific, Defiantly Incomplete History of the Early 21st Century, has to offer. My answer to this: perspective. In this collection of 38 essays culled from his work in publications like Esquire and Grantland, Klosterman analyzes various facets of pop culture ranging from zombies to Miley Cyrus, from Mountain Dew to Lou Reed. He explains, "Consumed in aggregate, this omnibus equates to a short book about music, a short book about sports, and a short book about everything else that could possibly exist." Disconnected as these subjects may seem, they are all filtered through Klosterman's unique voice. He's the anti-critic. He's the guy who goes to both Creed and Nickelback concerts on the same night just to find out why the bands are hated so much.One of the best essays, titled "Three Man Weave," traces the bizarre story of a "...pair of low-profile junior college basketball teams [who] played a forgotten game on a neutral floor in southeast North Dakota" in 1988. Due to a series of random events, the unfavored team won with only 3 players on the floor. The topic sounds boring--so boring, in fact, that many of the subjects interviewed had forgotten details of the event. But then the same thing happens to the exact same teams in 2016! That is one of Klosterman's gifts as a writer: turning a boring tale into something eyebrow-raising. Perspective.His other gift: writing 10,000-word essays about KISS and making you like it.Aside from a few articles on nostalgia and Charlie Brown, the majority of the book is filled with Klosterman's musings on sports or music. His interviews with Jimmy Page, Noel Gallagher, Stephen Malkmus, and Eddie Van Halen are just as excellent as his pieces on Tim Tebow, Kobe Bryant, and Tom Brady.He takes a turn into "grumpy aging cultural writer" territory in his reflection on Harry Potter as a cultural phenomenon:"...I find it astounding that the unifying cultural currency for modern teenagers is five-hundred-page literary works about a wizard...Because I don't understand Harry Potter, am I doomed to misunderstand everything else?"My response to Klosterman: Probably not. Your world view has been shaped by Walter White, Jonathan Franzen, and a love of hair metal, and that is no more or less significant than books about wizards. But if I ever meet you in a bar, I'll get you drunk and we'll figure out your house (I'm guessing Hufflepuff).What does one do after reading the entirety of a Chuck Klosterman book in one sitting? (Ok, two sittings). Somehow, starting a Noel Gallagher cover band seems equally as appealing as joining a fantasy sports league. I can't help but think this is what Klosterman wants: for the voyeurs of pop culture to realize what they are missing by observing but not truly living it; and for those swimming in the thick of it to see pop culture as the voyeurs do.I recommend Chuck Klosterman X: A Highly Specific, Defiantly Incomplete History of the Early 21st Century to fans of music, sports, and everything else that could possibly exist. Most importantly, if you did not know that in 2006, Danger Mouse released an illegal Beatles/Jay-Z mashup called The Grey Album (and it's excellent), then you should read this book strictly for educational purposes.
Brilliant writer. I have all his books and only wish I could come close to his level of wordsmithing. This collection is particularly fun because it includes his favorite pop culture reviews and impressions.
Engaging collection of previously published essays from the past ten years, most focused on sports and music. I’ve been following Klosterman for a while now and I appreciate the way he’s retained his wit and honesty. He writes about what interests him and he has a gift for making it interesting to you (I never would have guessed I would enjoy an essay about a long-ago minor college basketball game). He has something fresh to bring to even the most over-exposed subjects (like Taylor Swift).
I found Mr. Klosterman via his last two books, I Wear the Black Hat and But What if We’re Wrong?, two books I enjoyed immensely. I certainly wasn’t going to pass up his latest outing, X, though I had concerns. In particular, I don’t have a huge interest in current music or sports. I was afraid I might be left out of his target audience here. Turns out, I needn’t have worried. He is so honest and engaging that I was able to read just about everything here with pleasure.First of all, not everything Mr. Klosterman writes about in X concerns music and sports. There are a few essays on other topics. My favorites are probably his thoughts on The McLaughlin Group and his interview with Jonathan Franzen. His identification of John McLaughlin as the key to the success of that kind of argumentative TV that has often been copied but never successfully replicated is right on target. And, as a fan of Franzen’s work, I can still understand how difficult it must have been to conduct that interview and not write it up as something that shows him as a complete ass.But, in all honesty, it is his writing on music and sports that convinced me of his excellence because these are things about which I care very little and yet I was consistently engaged. I absolutely loved the first story in the book about a junior college basketball game that finished as a three-on-five contest where United Tribes Technical College, the team left with only three players, managed to hang on and win. The Tim Tebow article was interesting and not too dated as he now tries to rise through the ranks of professional baseball. Then there were his interviews with Jimmy Page and Eddie van Halen which could do little to mitigate the madness in their type of genius. My favorite, however,--well, the one that impressed me the most—was the essay on the work of KISS. I was never a KISS fan but my cousin was a huge fan. I feel now that I have a sense of why some people were so passionate about them.There’s more I could mention in this eclectic collection of items, some of which I know I read previously elsewhere in other publications. Let me just conclude with the fact that it is possible for good writers to make uninteresting subjects engaging. In my book, Mr. Klosterman is a good writer.
I love Chuck Klosterman in ways few could understand. This book is devoted to previously written articles and with a lot of up to date takes on the material. 70% of the articles are about Rock Music and the other 30% about Sports. Since I've read every book he's written I expected some overlap, but that was not the case. Having been a huge fan of Grantland I suspected some of that would show up here as well and I was wrong. The book feels fresh.My favorite interviews included Noel Gallagher and Jimmy Page. I'm not a fan of Kiss but Klosterman's obsessed and I totally get it. His love of the band is my own story about The Cars.His writing is immersive and dense. He is fun and smart just like my other Grantland hero Bill Simmons.Write more Chuck Klosterman please!j
When Chuck is on a roll, it is such a delight to read. In this kind of book you like some pieces more than others.He hits on almost all the stories for me. I love music and sports, and he has a really fresh way of looking at things and writing with great insights about them. I'm a fan.
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