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Aesthetics: A Comprehensive Anthology
Ebook Download Aesthetics: A Comprehensive Anthology
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Review
“Steven Cahn and Aaron Meskin have put together an unrivalled collection of great work in philosophical aesthetics, encompassing historical sources ranging from Plato to Shaftesbury, modern theories from Schiller to Gadamer, and more recent work covering all the central areas in contemporary aesthetics and philosophy of art. I thoroughly recommend it.” Peter Goldie, University of Manchester “The go-to book for classics in aesthetics from Plato and Aristotle to Adorno and Walton. Balanced and comprehensive, each chapter selected with a keen eye for bringing out enduring themes, this volume is a landmark achievement.” Dominic McIver Lopes, University of British Columbia
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From the Back Cover
The appreciation of art and the pursuit of beauty are fundamental elements of human life, and for almost as long as we have engaged in philosophical inquiry we have been theorizing about aesthetic matters. Covering nearly 2,500 years of theory and analysis, this anthology offers the most comprehensive collection of readings on aesthetics and philosophy of art currently available. From Plato's Ion to work by contemporary philosophers of art, Aesthetics: A Comprehensive Anthology showcases classic texts that speak for themselves in showing the development of philosophical thought about art and the aesthetic. Thorough, systematic, and flexible, this volume is an ideal guide to the field and makes an excellent textbook for a variety of courses in philosophical aesthetics.
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Product details
Paperback: 704 pages
Publisher: Blackwell Publishing; 1 edition (September 27, 2007)
Language: English
ISBN-10: 1405154357
ISBN-13: 978-1405154352
Product Dimensions:
6.7 x 1.2 x 9.7 inches
Shipping Weight: 2.6 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#171,205 in Books (See Top 100 in Books)
Overall, this anthology leaves very little to be desired by way of an introduction to Aesthetics. I will give a brief review as another reviewer has already provided the majority of what I would like to say:Pros:+ The anthology covers many of the historical works (including some that were heavily influential but left out of other anthologies). I include works by philosophers such as Schopenhauer, whose work primarily served to influence Nietzsche, but also contributes far more than Nietzsche cares to use.+ The length of the works in this anthology is an important detail. This anthology tries to provide a sample of each of the historical works so as to translate their main ideas. Yet, works such as Art as Experience and The Critique of Judgment have slightly longer lengths -- both because their authors were more prolific and because their ideas were not proposed concisely. Anyone with experience reading Kant understands that 10 pages of his critiques may as well be 40 pages of another book. The anthology does well to ensure that the reader has enough of each author to understand the primary (and numerous secondary) points of his or her work.+ Medieval aesthetics are included among the historical section. I have enjoyed previous aesthetics anthologies (here, I am thinking of Art and Its Significance), but they have not included medieval works nor as many contemporary commentaries. The anthology presents both very well.Cons:- There is nothing by Derrida. Deconstruction was a very important shift in aesthetic and literary theory. It is a shame that the anthology left his work out. As another reviewer noted, the book leans more toward analytic philosophy than continental, so I am sure that played a role in leaving "Of Grammatology", for instance, out.- The anthology does not cover a lot about metaphysics of art. What is the difference between two numerically distinct yet qualitatively identical (to the very atom -- except for the fact that one was made by the artist and the other is a reproduction) works of art? This is a fascinating topic in aesthetics, and it is not adequately captured within this book.Overall, I would rate the work an 8.5 / 10. I would gladly recommend this anthology to anyone who wishes for an introduction to aesthetics, and I may use it in my courses on aesthetics in the future.
If you've ever wondered what makes art art, and what philosophers have to say about it (throughout history), then this is a book for you! Plato! Aristotle! Some dude from the 1700's you've never heard of but somehow 98% agree with! Aesthetics versus fine art! It's organized, thoughtful, and contains art-related excerpts from philosophical and sometimes borderline sarcastic authors (that Plato is a hoot when he writes as the endlessly sassy "Socrates")! The binding is tough, so even when I bend the pages all the way back to keep it open during class it stays strong and doesn't look bent when closed! And you can use the half-page-ish space at the beginning and end of each excerpt to take notes! There are two columns on each page - double the art fun! If you're getting this for a class, have no fear, you might actually like it, and you're getting it because you want it, then I recommend reading something and instigating an art discussion to show off your mad philosophy skills at your next luncheon! Okay, that's all. Have a lovely day.
One of the best books on the subject, as the contents show at first sight. Beautifully bound, Norton-like, comprehensive, definitely worth reading!
its a book
It is as it says, a comprehensive anthology on aesthetics. It covers the full gambit on the authorities on Aesthetics from the beginning.
I am currently enrolled in a philosophy of art class, this book was required. I rated it a five star because, it is meeting my expectations. It is very helpful and I like how it bends even though it is a very this book. I strongly recommend this book for those who are studying philosophy of art.
Best way to buy college textbooks! This vendors product was right on the money and I can't believe I haven't been buying my books like this all along.
Goood
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