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How to Read Poetry Like a Professor: A Quippy and Sonorous Guide to Verse
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Review
“[An] accessible guide… [Foster’s] discussion of symbolism is particularly effective and may help readers learn to actually enjoy the experience of interpreting a poem… Students struggling to understand poetry, or even English instructors struggling to teach it, could benefit immensely from Foster’s guidance.” (Publishers Weekly)“Foster’s enthusiasm is infectious…he has clearly enjoyed teaching and sharing his love of literature with his students during his long career. How to Read Poetry Like a Professor is not unlike that freshman English class that everyone vies to enroll in—entertaining and informative without being intimidating. The curriculum is on point, and in the end, you’ll have the tools to truly ‘get’ poetry, with all its manifest themes and variations.” (BookPage)
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From the Back Cover
An essential primer to reading poetry that unlocks the keys to enjoying works from Lord Byron to the BeatlesNo literary form is as admired and feared as poetry. Admired for its lengthy pedigree—a line of poets extending back to a time before recorded history—and a ubiquitous presence in virtually all cultures, poetry is also revered for its great beauty and the powerful emotions it evokes. But the form has also instilled trepidation in its many admirers mainly because of a lack of familiarity and knowledge. Poetry demands more from readers—intellectually, emotionally, and spiritually—than other literary forms. Most of us started out loving poetry because it filled our beloved children’s books from Dr. Seuss to Robert Louis Stevenson. Eventually, our reading shifted to prose, and later when we encountered poetry again, we had no recent experience to make it feel familiar. But reading poetry doesn’t need to be so overwhelming. In an entertaining and engaging voice, Thomas C. Foster shows readers how to overcome their fear of poetry and learn to enjoy it once more. How to Read Poetry Like a Professor examines a wide array of poems and teaches readers:• How to read a poem to understand its primary meaning. • The different technical elements of poetry such as meter, diction, rhyme, line structures, length, order, and regularity, and how to learn to see these elements as allies rather than adversaries. • How to listen for a poem’s secondary meaning by paying attention to the echoes that the language of poetry summons up. • How to hear the music in poems—and the poetry in songs!With How to Read Poetry Like a Professor, readers can rediscover poetry and reap its many rewards.
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Product details
Paperback: 224 pages
Publisher: Harper Perennial; 1 edition (March 27, 2018)
Language: English
ISBN-10: 9780062113788
ISBN-13: 978-0062113788
ASIN: 006211378X
Product Dimensions:
5.3 x 0.5 x 8 inches
Shipping Weight: 5.9 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#23,896 in Books (See Top 100 in Books)
If you have read the other Foster books on literature and novels, then the set-up and arrangement of this newest title (March 2018) will not surprise you or disrupt the flow of your reading into the ideas presented.Foster provides interesting commentary in the introduction that would be well-suited for the upper level grades as an re-introduction of sorts to poetry and poetic forms. Foster writes, "I think that for most people, however, is the matter isn't so much not liking poetry as feeling somehow overmatched, as if it were a contest and the other side had better equipment and more skill" (3). For the rest of the introduction, Foster presents poetry in its bare-bones form and puts the would-be poetry reader at ease for presenting what both bring to the table by way of text and reader.In "Sounds of Sense" and "Sound Beyond Sense," Foster brings the reader gently back to poetry if the reader is patient with returning to some of that early learning in meter and rhyme and literary devices. For the upper grade reader, these elements of the book may serve well as have the other two books mentioned prior. Early on within this book, however, I note that that Foster is reserved in the examples used and they seem more accessible and familiar and I have to think that this is due in part to the potential fear and trepidation poetry brings along with it.The rest of the book presents like the literature and novels with quippy titles followed by a short chapter which includes a definition of the term, and exploration of the term, and samples from the larger poetry community.As more and more classroom teachers seek out nonfiction text for the classroom, this one would be very nice not only as a primer for poetry but as an informing vehicle for the sounds, techniques, and moves we seek in prose.
As helpful as the "read literature like a professor--for kids" book, but now for poetry!The book is broken down into logical sections. Each section explains the basics (and throws in a few advanced things you can look up on your own) with several examples from well-known poets. It also has some humorous bits that are a bit self-deprecating of the human race and poetry in general.
Although I'm well read, poetry escapes me: I now know why - it's another language! Foster's book has opened my eyes to the grammar of poetry and given me greater understanding. I highly recommend this book
I really learnt a lot by reading this book, no surprise, as Thomas Foster has proved aa good writer. He opens the door to poetry and you become an expert to enjoy the best poets of all times
Senior English class required reading.
The author makes many statements along the lines of "every line has at least one sibilant" (here in reference to "Kubla Khan"). Well now, there's a famous poem about a snowy evening for which the title has three sibilants, the first three words contain sibilants, and every line has at least one sibilant. Indeed, if you split up almost any English text into ten-syllable swatches, the majority, probably the vast majority, will contain at least one sibilant. Take fourteen consecutive such swatches and it is nearly certain that at least one sound type's presence or absence will render this author agog. But it will take a lot more to convince me that a poet has intentionally or even subconsciously engineered anything of the sort.Elsewhere the author misquotes "purple mountain majesties" and concludes that the odd-numbered lines of "America the Beautiful" lack rhyme. In fact the correct quote supplies an eye rhyme for "skies", and the corresponding lines of the other stanzas contain two actual rhymes and another eye rhyme. The fifth line of each stanza is "America, America," and the poet wisely doesn't attempt any rhyme for this; the author will later offer terminology that could be used to assert that we have an internal, identical rhyme here. To make up for this, the seventh line of each stanza (e.g., "And crown thy good with brotherhood") contains an internal rhyme. In short, Foster has a great illustration for points he will make later, but a poor one for the point he is making.He quotes the first four lines of Shakespeare's Sonnet 73 to illustrate meter, and claims that the fourth line, "Bare ruin'd choirs where late the sweet birds sang" is not iambic pentameter at all, in part because it has only nine syllables. Well now. The author is free to make "ruin'd" an exact rhyme of "tuned", and you may even find a dictionary in which the third pronunciation of "ruin" is monosyllabic. More to the point is that Shakespeare routinely lets "ruin" contribute two syllables to a line; for him, such words as "ruinate", "ruination", and Latin "ruina" were entirely familiar, so he would hardly make "ruin" a monosyllable. For someone in Foster's line of work, this should all be second nature. He also claims that "bare" is stressed, but it is hardly more stressed than "birds" later in the line and in any event this sort of thing is routine in Shakespeare's or anyone else's iambs.The author is not one to do your thinking for you and is not likely to drone on throughout a lecture. But he has been thoughtful enough to raise some important questions and at times to give enough of a thoughtful answer so as to raise additional good questions. I'm inclined to think you will enjoy a lot of this book. You may have to supply your own poems, as there are rather few in this book, and even fewer in their entirety.
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Lose Weight with Your Instant Pot: 60 Easy One-Pot Recipes for Fast Weight Loss (Lose Weight By Eating), by Audrey Johns
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Review
“Audrey Johns’s Lose Weight with Your Instant Pot tells us how to lose weight on the likes of taco mac and cheese, chicken enchilada soup and dark chocolate fudge brownies.” ( Atlanta Journal-Constitution )
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From the Back Cover
Slim Down with the Instant Pot!Everyone loves how the Instant Pot is revolutionizing cooking with easy one-pot meals. With this book you can enjoy your favorite food with the speed and ease of the Instant Pot—while losing weight!After a lifelong struggle with fad diets and constant weight gain, Audrey Johns changed the way she ate by focusing on eating real foods. She not only lost weight—dropping 150 pounds in 11 months—but she successfully kept it off. By sharing her lean recipes on her blog Lose Weight by Eating and in her cookbooks, she’s helped thousands of others achieve their own weight-loss goals. Now, in this helpful, practical book built for busy lives and families, Audrey shows how you can use this hugely popular kitchen appliance to save time and calories, with 60 tasty recipes and plenty of tips and tricks to help you get the most out of your Instant Pot. Combining all-new dishes with skinny takes on classic favorites, these tasty recipes include:• Avocado Eggs • Skinny Sloppy Joes • Taco Mac and Cheese • Beef Bourguignon • Chicken Enchilada Soup • Chicken and Dumplings • Spicy Brussels Sprouts with Bacon • Dark Chocolate Fudge BrowniesIn Lose Weight with Your Instant Pot, you’ll indulge in guilt-free, real-food versions of your favorite foods—and you’ll do it in an instant!
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Product details
Series: Lose Weight By Eating
Paperback: 160 pages
Publisher: William Morrow Cookbooks (November 6, 2018)
Language: English
ISBN-10: 0062874551
ISBN-13: 978-0062874559
Product Dimensions:
7.4 x 0.4 x 9.1 inches
Shipping Weight: 15.2 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
24 customer reviews
Amazon Best Sellers Rank:
#30,804 in Books (See Top 100 in Books)
I have been anxiously awaiting the arrival of this new book. I love my instant pot and know that Audrey will have awesome recipes to add to my IP collection. The book is already exceeding my expectations! I’m making brownies in my IP. And possibly crack chicken for dinner tonight! I appreciate that Audrey kept the recipes simple as far as IP gadgets go. I will be working my way through this cookbook. Just like the other 2 LWBE cookbooks!
Best instant pot cookbook I have used! I love how simple the recipes are with ingredients I always have on hand.
Audrey Johns has done it again...a healthy guide to your Instapot...tons of great healthy recipes that are quick and easy enough for everyone. A fun and colorful look at this new piece of kitchen equipment.
I love this cook book!! I have each of the cookbooks in this series and love them all. I have been looking for different recipes to make with my instapot. These recipes are easy and delicious. Even if you are not looking to loose weight these recipes provide heathly meal choices for you and your family.
Made the pulled pork already and it was soooo good! Easy to follow recipes.
This book is full of delicious healthy recipes!! I have all three of Audrey’s books and love them all!! Can’t wait for book #4!!
I love love love this cookbook. So many amazing recipes that are so good and so easy to follow I would recommend this to anyone Also bought a few as gifts for my friends
All the recipes look so delicious and easy! Can’t wait to try and lose some weight too!
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Lose Weight with Your Instant Pot: 60 Easy One-Pot Recipes for Fast Weight Loss (Lose Weight By Eating), by Audrey Johns PDF
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Ebook Free Notes from Underground (Vintage Classics)
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Notes from Underground (Vintage Classics)
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Review
Praise for previous translations by Richard Pevear and Larissa Volokhonsky, winners of the PEN/Book-of-the-Month Club PrizeThe Brothers Karamazov“One finally gets the musical whole of Dostoevsky’s original.” –New York Times Book Review“It may well be that Dostoevsky’s [world], with all its resourceful energies of life and language, is only now–and through the medium of [this] new translation–beginning to come home to the English-speaking reader.” –New York Review of BooksCrime and Punishment“The best [translation] currently available…An especially faithful re-creation…with a coiled-spring kinetic energy… Don’t miss it.” –Washington Post Book World“Reaches as close to Dostoevsky’s Russian as is possible in English…The original’s force and frightening immediacy is captured…The Pevear and Volokhonsky translation will become the standard version.” –Chicago Tribune Demons“The merit in this edition of Demons resides in the technical virtuosity of the translators…They capture the feverishly intense, personal explosions of activity and emotion that manifest themselves in Russian life.” –New York Times Book Review“[Pevear and Volokhonsky] have managed to capture and differentiate the characters’ many voices…They come into their own when faced with Dostoevsky’s wonderfully quirky use of varied speech patterns…A capital job of restoration.” –Los Angeles TimesWith an Introduction by Richard PevearFrom the Hardcover edition.
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Language Notes
Text: English (translation) Original Language: Russian
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Product details
Series: Vintage Classics
Paperback: 136 pages
Publisher: Vintage; Reprint edition (August 30, 1994)
Language: English
ISBN-10: 067973452X
ISBN-13: 978-0679734529
Product Dimensions:
5.2 x 0.4 x 8 inches
Shipping Weight: 6.4 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
512 customer reviews
Amazon Best Sellers Rank:
#13,119 in Books (See Top 100 in Books)
THE EBOOK IS NOT THE PEVEAR TRANSLATION! This is flagrant product misrepresentation by Amazon. They listed an e-book version of the PEVEAR translation and when I downloaded it and opened it on my device it is NOT the same translation as you can see in the peak inside of the printed version. You can find free online versions of this translation that Amazon is falsely selling as the PEVEAR translation in lots of places online. Amazon cheated!
As usual with Dostoevsky, the read is complex, even in this instance with the simplest of storylines - an old man ranting. The complexity comes from Dostoevsky's amazing ability to articulate the waves of thought behind human emotion - the flood and ebb of reasoning, the articulation of the irrational. But complexity extends well beyond style. Dostoevsky counters and buttresses contemporaneous philosophical thought using the rantings of his protagonist, "the underground man", the narrator. For those not familiar with Søren Kierkegaard and Nikolay Chernyshevsky (and here I admit my own ignorance) even a quick read of the short, but well done Wikipedia article on this title will be a very useful primer. Interestingly, the reviewer mentions that 'underground' is a flawed translation of the Russian and that 'crawl space' (my alternative) or something like it, might be more apt, implying; underneath the structure and within the loathsomeness of darkness, rats, snakes, spiders, and evil spirits.Part I "underground" overwhelms, tediously with rant, still, the reader comes away with a sense of the underground man's misery, frustration, and disgust at life. It is a pure rant with minimal structure. In part II "Apropos the wet snow" we are taken on a - years earlier - 'social encounter' of the underground man. It does not go well - in fact, the reader will now feel, compellingly, albeit without sympathy, the narrator's hatefulness.Dostoevsky's novels so overwhelm with depth and seriousness that other authors on the list of '100 greatest books' (which I am reading through) can seem well behind. In order NOT to be that reviewer who ‘gushes’ 5-stars at everything picked-up - and because this isn’t my favorite Dostoyevski novel I’ll give it 4-stars (but if my arm were twisted - even a little - 5! ;-).(translation by Richard Pevear and Larissa Volokhonsky, Publisher: Aegitas April 20, 2017)
The first part of the book is phenomenal and timeless. It speaks about how resentment is a part of human nature or maybe how humans will never be satisfied, that it is perhaps ontologically necessary that we cannot experience satiety or fulfillment. I’m not quite sure how to word it, but if you read it for yourself that would be cool, and then you could tell me what it is that I read. I thought the first part was an absolutely brilliant nsight into human natureThe second part is about an angry Russian guy being an angry (and especially miserable) Russian guy. It feels uniquely Russian. I found the second part hard to relate to—probably because I’m not a Russian from the 19th century. But the texture was vivid: I could feel like the spite and the cold wind. Dostoevsky does an amazing job of carefully invoking a vivid image (of something Russian.)
_Notes_ is long on thought and character, and short on incident.In the first (and shorter) part, there are literally _no_ incidents; it consists of a great deal of existential-ish philosophizing and critiquing of society (and of the personality of the narrator, who is never named). Even more, the narrator critiques contemporary scientific utopianism, insisting that, even if human nature were reduced to mathematics, it would still be human nature and perversely inconsiderate of its own best interests; that Man is not a rational animal at all but an emotional animal who demands, above all else, freedom (or its illusion). Man, he says, feels oppressed even by simple mathematics; he wants to be free to declare, when he chooses, that twice two is five.Determinism, he observes, relieves Man of the burden of guilt; Man, he implies, cannot live without it. Implied but never stated (though apparently it was stated in the original text and removed by Russian censors) is that only through faith in Christ can this paradox be overcome.The second part consists, basically, of two sequences of events.In the first, the narrator decides to insult an officer by bumping into him on the street, and eventually does, to no effect.In the second, he invites himself to a party of farewell for a man he doesn't like, gets drunk and behaves badly, berates a prostitute, and makes an ass of himself in front of his servant.Really, at the level of plot, that's about it. It doesn't so much end as is cut off, first by the narrator's claim that he will write no more, then by a fictitious editor's claim that he did, indeed, write more, but that there's no point in continuing.Fortunately, there's a great deal that _isn't_ at the level of plot: deep and detailed analysis of Russian society of the nineteenth century ... which turns out, really, to be analysis not of society, but of the narrator himself, whom we quickly realize is not a reliable or objective speaker. In fact, _Notes_ is a portrait, a portrait of a thoroughly unpleasant and despicable human being; who is, nonetheless, a human being and not some kind of metaphorical cockroach. Even as the narrator demands our despite, Dostoevsky invites us to love him as a perversely damaged image of Christ.
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Download Ebook Treasure Mountain: The Sacketts, Book 15
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Treasure Mountain: The Sacketts, Book 15
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Audible Audiobook
Listening Length: 6 hours and 32 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Random House AudioBooks
Audible.com Release Date: December 2, 2005
Whispersync for Voice: Ready
Language: English, English
ASIN: B000CQ742O
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I have loved the Sacketts since I saw the made-for-TV movie in the 80s. We bought every Sackett book we could at used book stores. Now I have become an eBook reader because it is so much easier on my arthritis, I am gradually replacing all of my beloved paperbacks and hardbacks with eBooks so I will still be able to read them. Any Sackett book will be filled with adventure, excitement, danger, and most certainly, love. .Orin Sackett has travelled to New Orleans to try to find any information about the last trip his father made as a guide in the western lands. Ma was getting on in years and she was worrying on what had happened to him. He never came back from that last trip and Pa was a hard man to kill. They might not find out where he died but Orin knew he had to try. All he had to go on was the name of the man with whom he was to travel, Pierre Bontemps. He tried asking around to see if anyone had known Pierre Bontemps, even though they had left New Orleans on their quest twenty years ago. Suddenly he was being stalked by a beautiful, blond, matahari. Four days later his older brother, William Tell Sackett, rode into town to help him search, but Orin was nowhere to be found!
I can't say enough about these Sacketts and Louis L'Amour. I've enjoyed every word. Every story. Every shootout. And even the beauty of the country. L. L'Amour is not only very talented, but very imaginative. Sometime I'm even nervous just reading. You are going to so enjoy reading about the Sacketts and the country they helped discover and tamed. Enjoy! But except to be late to work whenever you read the night before. You just can't put the book down.
Really enjoyed this book, as I have the others. Meeting other Sacketts, seeing them develop, and sharing their adventures are really worth the time. Reading them in the correct sequence, really helps. Great Book!!!
A more complex story than most of the Louis L'Amour series and very entertaining, involving several other familiar Sacketts and giving more attention to "The tinker" than the few stories he has been in. It starts with intrigue in New Orleans and then winds toward the West with the "bad guys" shadowing every move Tell and Orrin Sackett's little group makes, hoping to kill them like they did their father and make off with the buried treasure his father had searched for 20 years earlier.
This narrative tells a long story about Tell and Orrin Sackett hunting their father, or his grave, in the southern Rockies. The story tends to dwell for long durations on the hunt. Several situations (gun battles, new characters, old friends found) keeps the story moving but at a slower pace than other L`Amour writings. I enjoyed reading it, and I would recommend your reading it also. I guess I am just more impatient than I should have been.
I have the complete collection of the hard bound books of L'Amour, and I've enjoyed reading several times over the years. Now I'm beginning to collect them on my Kindle. His writings are such that they continue to draw you back, and they are much easier to carry on my Kindle. I do wish that Amazon offered the collection in a bundle that is affordable.
Louis L'Amour is a good writer, who's books are predictable and fun to read. If you want unexpected plot twists and bad guys to be heros pick another author.
Chose the rating because has a good plot with a lot of twists and turns. At the same time, the story seemed to carry on a little too long because of those twists and turns. When the end came it seemed a little abrupt. But overall, a good read
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Ebook Download Manual of Clinical Procedures in the Dog, Cat, and Rabbit
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Manual of Clinical Procedures in the Dog, Cat, and Rabbit
Ebook Download Manual of Clinical Procedures in the Dog, Cat, and Rabbit
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From the Back Cover
Completely revised and updated, the Second Edition of this comprehensive text details the basic, in-office diagnostic and therapeutic procedures commonly performed in treating dogs, cats, and rabbits. Step-by-step instructions on restraint, anesthesia, surgical technique, and medical management are provided and include the "whether to" in addition to the "why to" and "how to." The book discusses purposes of the procedures, indications, precautions, possible complications, equipment needed, and preparations. Superb line drawings of procedures explicitly demonstrate operational motions as well as pertinent anatomic relationships.
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About the Author
Steven E. Crow, DVM and Sally O. Walshaw, MA, VMD.
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Product details
Paperback: 323 pages
Publisher: Lippincott Williams & Wilkins; 2 edition (June 4, 1997)
Language: English
ISBN-10: 039751588X
ISBN-13: 978-0397515882
Product Dimensions:
7.1 x 0.6 x 10 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#2,261,918 in Books (See Top 100 in Books)
This book was required by my teacher for class. Their is a small section for rabbits. It includes restraint, and selected clinical procedures ( intravenous catheterization, bandaging the catheter for fluid adminstration, blood collection from jugular catheter, oral adminstration of liquid medication/tablet, intravenous injection, urine collection, & endotracheal tube intabation). Most of the book is dedicated to the dog & cat. The sections include chapters on restraint, blood collection, injection techniques, placement and care of IV caths, oral adminstration of medications, dermatologic procedures, impression preparations, fine needle aspiration biopsy, ophthalmic procedures, ear care, pedicure, urethral catheterization, rectal exam, anal sac expression and cannulation, enema, skin prep., intubation, gastric lavage, dental prophylaxis, nasopharyngeal procedures, teansteacheal aspiration, centesis, peritoneal cath. & lavage, semen collection and insemination, vaginal exam and speciman collection, bone marrow aspiration and biopsy, rapid evaluation of bleeding and clotting disorders. I only gave a 4 because the book has no actual photographs, just illustrations and they are black and white. I work with cats and I think some of the cat restraint techniques are way off. Otherwise the book is great!
Great textbook for those who are just starting out in the veterinary field, especially for handling critters. I found it very helpful for rabbits
I did not personally choose this book - it was a class text. But it is very well written & informative, therefore I recommend it.
very usefull tool for a busy vet, student or even technician.Very clear and simple exposition of the procedures. Anyone, even the most experienced professional, will find something to learn.
This book reveals a good intent that fell slightly short. The authors evidently know their stuff very well and describe many procedures with meticulousness. However, necessary details are missing on ocassion, like where to locate the vessel they recommend to inject. The illustations are satisfactory but sometimes insufficient. One wonders whether photographs could have been better in these cases. I missed some procedures that are common in veterinary clinics today like x-rays and some small surgery techniques that are common in a clinical setting. For examaple, I would have liked to find some pointers on how to operate an x-ray machine. The book is very useful and well worth buying it, but the authors could make it even better if they surveyed the needs of their colleagues before attempting the next edition.
I am a director of a veterinary technology program and this is a required text. It outlines the "how-to-do" of procedures as simple as cephalic venipuncture to complicated procedures such as gastrotomy tube placement. The value of this book lies in the fact that it lists every supply or piece of equipment you will need to perform a procedure and then walks you through it step by step. The illustrations are awesome. This book would be a valuable reference for a practitioner or technician who wants to perform a procedure for the first time or needs a refresher on the procedure.The inclusion of rabbits to this edition is a welcome addition as it outlines procedures likely performed in practice.
I'm a freshman in veterinary medical college. And I go to my seniors' animal hospital every weekend for studying and assitanting them. Before I assitant them, I had to know about treating animals with the right way. Then my seniors gave this book to me. I think this book is very good for Vet.technician. This book is really detailed for every part of the way of treating pets. I am sure that this book will be helpful to you, veterinary technician or a student often doing assistance in hospital just like me. But i am sure it will not help any junior or senior studying veterinary medicine.
Book was in great shape exactly what i expected, came in a fair amount of time within the dates estimated.
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Download PDF Draw 50 Buildings and Other Structures: The Step-by-Step Way to Draw Castles and Cathedrals, Skyscrapers and Bridges, and So Much More..., by Lee J. Ames
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Draw 50 Buildings and Other Structures: The Step-by-Step Way to Draw Castles and Cathedrals, Skyscrapers and Bridges, and So Much More..., by Lee J. Ames
Download PDF Draw 50 Buildings and Other Structures: The Step-by-Step Way to Draw Castles and Cathedrals, Skyscrapers and Bridges, and So Much More..., by Lee J. Ames
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About the Author
LEE J. AMES began his career at Walt Disney Studios and taught at the School of Visual Arts in New York City and at Dowling College on Long Island, New York. He directed his own advertising agency and illustrated over 150 books, ranging from preschool picture books to postgraduate textbooks. A prolific author of more than 30 Draw 50 books, Lee Ames died at the age of 90 in June 2011.
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Excerpt. © Reprinted by permission. All rights reserved.
This book will show you a way to draw buildings, bridges, and other structures. You nee not start with the first illustration. Choose whichever you wish. When you have decided, follow the step-by-step method shown. Very lightly and carefully sketch out the step number one. However, this step, which seems the easiest, should be done most carefully. Step number two is added right to step number one, also lightly and also very carefully. Step number three is sketched right on top of numbers one and two. Continue this way to the laststep.
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Product details
Age Range: 8 - 12 years
Grade Level: 3 - 7
Series: Draw 50
Paperback: 64 pages
Publisher: Watson-Guptill; Reprint edition (February 12, 2013)
Language: English
ISBN-10: 9780823086047
ISBN-13: 978-0823086047
ASIN: 0823086046
Product Dimensions:
8.5 x 0.2 x 10.8 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
110 customer reviews
Amazon Best Sellers Rank:
#19,708 in Books (See Top 100 in Books)
This kindlebook of Draw 50 Buildings and Other Structures: The Step-by-Step Way to Draw Castles and Cathedrals, Skyscrapers and Bridges, and So Much More... by Lee J. Ames has a multitude of different images/drawings of a diverse range of houses. Some of the images that are shown for a person to draw; Leaning Tower (Pisa Italy), Big Ben (London England), Transamerica Building (San Francisco USA), Rheims Cathedral (Rheims, France), Chalet (Switzerland), Pagoda (China),Georgian House (New Hampshire U.S.A.), House, 1621 (Kent, England),Log Cabin, and more.
I've been drawing for over 20 years with recently having an interest in drawing buildings and structures. I purchased this book thinking it would get me started on doing so, and I was excited when it arrived. It did get me started; however, I'm not thrilled about the instructions. I do like that it doesn't have worded instructions, but as one reviewer mentioned, it jumps from simplicity to complexity in a matter of four "steps." Not to mention, when it comes to the "final" step, it's completely finished! Where did those extra lines come from?! Sometimes it's difficult to make out the lines or dots in the finished products because they're so close together.If I didn't have drawing experience, this would be extremely challenging. I don't know how this is appropriate for an 8 year old but people develop at their own pace.
This is a very basic drawing book, shows drawing lines placement step by step,( with out written words) if you dutifully dislike rulers and measurements (preferring eyeing measurements) This is the book for you! If you desire rulers and measurements of course you may! Each picture ends with a basic sketch out line with some details. If desire more detailing and more elaborate buildings it's simple to mix and match different parts of Lee J. Ames buildings in this book to create your own designed look. If your not familiar with drawing architecture this is a good place to start -(trains your eye to look for the lines in buildings and how they correlate to one another), developing skills to drawing structures from photos or out in the field.
We purchased this for our 9 year old daughter. She immediately drew a likeness of Big Ben, following the step by step instructions. The book is great for anyone, young or old.
I was looking for something a bit more detailed and maybe with suggestions on drawing actual buildings. This book is more better suited for children. For a child looking to draw structures, it is a helpful start.
Great book, good practice for urban sketching which is why I bought it. Love the series.
I used this both as an art teacher and as a reading teacher. Boys love to draw these things. In art, they need to really see and notice detail, and they have to persevere until they get it right. In reading, they have to do the art skills, and follow directions. Since it's non-fiction, it fits in with today's education trends. Kids love to draw whether they're in art class or reading class, and how special is it to be able to use this as a reading teacher? Your male students will love you.
easy to understand just not what expected once got to see all of the book i keep it around as reference material for help with other projects
Perfect for those learning to draw.
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Draw 50 Buildings and Other Structures: The Step-by-Step Way to Draw Castles and Cathedrals, Skyscrapers and Bridges, and So Much More..., by Lee J. Ames PDF
Draw 50 Buildings and Other Structures: The Step-by-Step Way to Draw Castles and Cathedrals, Skyscrapers and Bridges, and So Much More..., by Lee J. Ames PDF
Draw 50 Buildings and Other Structures: The Step-by-Step Way to Draw Castles and Cathedrals, Skyscrapers and Bridges, and So Much More..., by Lee J. Ames PDF
Ebook Free The Art and Practice of Costume Design
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The Art and Practice of Costume Design
Ebook Free The Art and Practice of Costume Design
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About the Author
Melissa Merz is the Costume Designer at Texas Tech University. She has an MFA in Design from the University of Arizona and a BFA in Design from Texas State University. She has designed over 100 productions of theatre and dance and especially enjoys working on original plays. She feels fortunate to design in several states including California, Arizona, New Mexico, Texas, Oklahoma, West Virginia, Ohio, Michigan, and Vermont. She has been an active member of USITT and sponsors the TTU student chapter. As an advocate of the arts, she encourages growth and education in all areas of art for all ages. Festival, Oklahoma Shakespearean Festival, and Bass Hall.
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Product details
Paperback: 310 pages
Publisher: Routledge; 1 edition (September 3, 2016)
Language: English
ISBN-10: 9781138828414
ISBN-13: 978-1138828414
ASIN: 1138828416
Product Dimensions:
8.5 x 0.8 x 11 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#691,777 in Books (See Top 100 in Books)
I bought this for my son who is a costume design and technical theater major. He loves the book. He has found inspiration in it, good information, and has simply learned some things he did not know before.
came quickly, awesome over all. new great imagery. very satisfied. would defiantly command if you are going into the costuming world.
It's absolutely fantastic and well organized. Perfect for advanced costume design classes
Great resource
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